Hadestown!

 The first time we saw Hadestown from up in the rafters, I was blown away by the story, the music, and the performances. It was so New Orleans, it was so Greek tragedy, and it was so damned good.

Hadestown came back last night and this time we were on the floor which makes it even better to actually see the performers faces and the knowing glances between characters. 

Hadestown is about well, Hades. Sell your soul to the devil and suffer the consequences. Hades is played by the deep bass voice of Nickolaus Colon, who really doesn't enter the play until the end of Act 1 but once he does its game on. His wife, Persephone, played by an understudy Miriam Naverette, spends 6 months in the overworld and 6 months in the underworld. Eurydice, a homeless poverty-stricken woman who is duped into entering hell. Played by a wonderful Megan Colton, Eurydice has a hero up above in Orpheus, a songwriter in love with her attempting to finish a song that will free her from Hades clutches. Orpheus, played by a great singer, Bryan Munar, walks to the underground and thru the wall to free Eurydice. Will he succeed? Well, it's a tragedy so you guess. He succeeds yes, but he also fails.

The narrator of this play is Hermes, played by Jaylon Crump, and he is the glue. From the opening where he plays with the crowd, the other performers and the musicians onstage, Crump is a joy to watch. He belts out the Road To Hell and gets this thing rolling and it just keeps rolling towards its inevitable tragic end. Crump is a force onstage. And he's a helluva singer, actor and dancer.

I loved this version. Hadestown is in my Top 5 musicals of all time. The song that ends Act 1 is a dirge called Why We Build The Wall, and is so relevant to today's atmosphere its uncanny for a musical written in 2006. It's as if the writers anticipated the arrival of MAGA.

If you get a chance, see Hadestown. It's one helluva ride.,